The African-influenced religion of Santería has long been part of life on this idiosyncratic island. Lydia Bell explores its legacy in this article for London’s Independent.
Rain is beating down on steaming asphalt in central Havana, a hard-bitten patch of town. I am looking for a street-corner rumba and know my destination will call me by the 12/8 slap of a palm on the Cuban batá and cajones – wooden boxes – that distinctive clave sound. Finally I find Callejon de Hammel, a graffiti-plastered alley where, at noon on Sundays, Havana’s Afro-Cuban community worship their gods with bewitching dance and song.
Rumba is more than music and dance – it is the expression of Cuba’s creole identity. The music is a hybrid, blending Congolese percussion and flamenco-style soul-baring singing in the Yoruba language. It is rhythmic, dark, intense – one of the island’s first and enduring sounds, and one…
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