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Trimmed to fit
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What really was
Is still a mystery
Not how it was
Do tell it new
Not so bad not so hard
Pretend it’s true
.
Bear … 01.24.2014
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Trimmed to fit
Edit history
What really was
Is still a mystery
Not how it was
Do tell it new
Not so bad not so hard
Pretend it’s true
.
Bear … 01.24.2014
December 25, 1826, at West Point was not a typical Christmas morning. Cadets stumbled from their barracks, clothes torn or astrew. Many were barefoot, cursing, still drunk from the night before. Behind the cadets, West Point’s North Barracks stood in a state of near ruin. Windows had been smashed, along with the building’s furniture. Banisters had been ripped from stairways, thrown down with other rubble. Shards of shattered plates, dishes an cups lined the ground. Looking at the mix of hungover and drunk cadets, the officer of the day dismissed the corps. It had been a long night for everyone. There had been, after all, a riot–caused by egg nog.
*
*
I am merely a
Skimming flighted fisher,
Flying along the surface
Diving into the depths
Only now and again,
When the shimmer of
Remembered truth beckons.
Rarely do I capture the
What Has Been
And must return
To my air borne flight
Of searching too soon
To really Know
What is the Lost.
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*
Bear 12.04. 2013
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*
So now even areas that we thought were safe from mining operations are to be contaminated by reverse-mines? Is everywhere
to be turned into watseland? WE MUST STOP CREATING THE NUCLEAR WASTE IN THE FIRST PLACE. STOP. JUST STOP.
We are all relatives. Bear
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Technical Announcement: U.S. Shale Formations Might Safely House Nuclear Waste Released: 7/23/2013 11:00:00 AM
Contact Information: U.S. Department of the Interior, U.S. Geological Survey Office of Communications and Publishing 12201 Sunrise Valley Dr, MS 119 Reston, VA 20192 |
Shale and other clay-rich rock formations might offer permanent disposal solutions for spent nuclear fuel, according to a new paper by the U.S. Geological Survey. There is currently about 70,000 metric tons of this spent fuel in temporary storage across the United States.While no specific sites have been evaluated for storage potential in the United States, USGS scientists have looked at several research efforts, including projects that are underway in France, Belgium and Switzerland to confirm that shale formations in those countries are favorable for hosting nuclear waste repositories. |
Oldest European fort in the inland U.S. discovered in Appalachians
Posted: 23 Jul 2013 08:37 AM PDT
The songs are sung by the Cherokee group Walela.
The Cherokee Mornings Song is a traditional greeting to the Rising Sun. Sunrise is a sacred time, the dawn of a new day.
Wi n’ de Ya ho — Cherokee Morning Song — Walela
Wash Your Spirit Clean — Walela
~Wash your spirit clean~
Give away the things you don’t need
Let it all go and you’ll soon see
And you’ll wash your spirit clean
Wash your spirit clean
Go and pray upon a mountain
Go and pray beside the ocean
And you’ll wash your spirit clean
Wash Your spirit clean
Be grateful for the struggle
Be thankful for the lessons
And you’ll wash your spirit clean
Wash your spirit clean
Give away the things you don’t need
Let it all go and you’ll soon see
And you’ll wash your spirit clean
Wash your spirit clean
New York 1939
New York City, Summer 1939. Rarely seen recently surfaced amateur movie, filmed by a French tourist, Jean
Vivier, in 16mm Kodachrome. Great conservation state and incredible quality! Best viewed full screen in 720p HD.
This was originally linked via Smithsonian Rare Footage of Helen Keller Speaking
Mari Boine – Sow Your Gold
Mari Boine – Goaskinviellja / Eagle Brother
Mari Boine, previously known as Mari Boine Persen, (born 8 November 1956) is a Norwegian Sami musician known for having added jazz and rock to the yoiks of her native people. Gula Gula (first released by Iđut, 1989, later re-released by Real World) was her breakthrough release, and she continued to record popular albums throughout the 1990s.
Boine was born and raised in Gámehisnjárga, a village on the river Anarjohka in Karasjok municipality in Finnmark, in the far north of Norway.
Her parents were Sami (Lapps). They made a living from salmon fishing and farming. She grew up steeped in the region’s natural environment, but also amidst the strict Laestadian Christian movement with discrimination against her people: for example, singing in the traditional Sami joik style was considered ‘the devil’s work’. The local school that she attended reflected a very different world from her family’s. All the teaching was in Norwegian.
As she grew up she started to rebel against being an inferior Lappish woman in Norwegian society. For instance, the booklet accompanying the CD ‘Leahkastin’ (Unfolding) is illustrated with photographs with racist captions like ‘Lapps report for anthropological measurement’, ‘Typical female Lapp’, ‘A well-nourished Lapp’; and it ends with a photo of Boine herself as a girl, captioned ‘Mari, one of the rugged Lapp-girl types’ and attributed ‘(Photo: Unidentified priest)’.
She was asked to perform at the 1994 Winter Olympics in Lillehammer, but refused because she perceived the invitation as an attempt to bring a token minority to the ceremonies.
In 2003 Boine was awarded the Nordic Council Music Prize. She was appointed knight, first class in the Royal Norwegian Order of St. Olav for her artistic diversity on September 18, 2009.
Her songs are strongly rooted in her experience of being in a despised minority. For example, the song ‘Oppskrift for Herrefolk’ (‘Recipe for a Master Race’) on her breakthrough CD ‘Gula Gula’, sung in Norwegian unlike the rest of the songs which are in Sami, speaks directly of ‘discrimination and hate’, and ironically recommends ways of oppressing a minority: ‘Use bible and booze and bayonet’; ‘Use articles of law against ancient rights’.
Her other songs are more positive, often singing of the beauty and wildness of Sapmi (Lapland). The title track of ‘Gula Gula’ asks the listener to remember ‘that the earth is our mother’.
She sings in a traditional folk style, using the yodelling ‘yoik’ voice, with a range of accompanying instruments and percussion. For example, on ‘Gula Gula’ the instruments used are drum, guitar, electric bass clarinet, dozo n’koni, ganga, claypot, darboka, tambourine, seed rattles, cymbal, clarinet, piano, frame drum, saz, drone drum, hammered dulcimer, bosoki, overtone flute, bells, bass, quena, charango and antara.